„Lalka” (The Doll) with English subtitles

Zapraszamy na pokazy filmu „Lalka” z napisami w języku angielskim:
10/10 godz. 13:00
19/10 godz. 19:00
22/10 godz. 17:30
For nearly 140 years, Bolesław Prus’s literary masterpiece has stirred the emotions and fired the imaginations of successive generations. Now, this timeless story comes to the big screen in a spectacular new adaptation. “The Doll” is a lavish, large-scale production featuring the most star-studded cast in the history of Polish cinema. Leading the ensemble are Marcin Dorociński as Stanisław Wokulski, Kamila Urzędowska, star of The Peasants, as Izabela Łęcka, and Marek Kondrat as Ignacy Rzecki, returning to the big screen after a 16-year absence.
Told with a contemporary sensibility, this new adaptation of The Doll is a moving, universal story of love and unfulfilled longing, ambition and change, and a world coming to an end. It is the kind of film that comes along only once every few decades: epic in scale, rich in emotion, and brought to life through magnificent sets, meticulously crafted costumes and makeup, and a truly stellar cast.
Late 19th-century Warsaw. Stanisław Wokulski (Marcin Dorociński) is consumed by a passionate love for Izabela Łęcka (Kamila Urzędowska). Having made his fortune during the war, he returns to his homeland determined to enter high society and win the hand of the woman he loves. Izabela is dazzling and proud, yet despite her aristocratic background, she faces the threat of financial ruin.
At Wokulski’s side stands his loyal friend Ignacy Rzecki (Marek Kondrat), a romantic who watches with nostalgia as a world of ideals gives way to social ambition and the ruthless pursuit of self-interest.
Wokulski enters the labyrinth of aristocratic society, where every gesture may spark an intrigue and every word may foreshadow betrayal. Rivals who stand in his way, unexpected alliances, and dramatic choices will put his dreams and his faith in others to the test.
This is a story of romantic infatuation that changes the course of its characters’ lives and blurs the line between heart and reason.
